![]() ![]() Shawn Everett, Ludwig Göransson, Inflo, Tobias Jesso, Jr., Greg Kurstin, Max Martin, Joey Pecoraro & Shellback, producers Julian Burg, Steve Churchyard, Tom Elmhirst, Shawn Everett, Serban Ghenea, John Hanes, Sam Holland, Michael Ilbert, Inflo, Greg Kurstin, Riley Mackin & Lasse Mårtén, engineers/mixers Adele Adkins, Ludwig Göransson, Dean Josiah Cover, Tobias Jesso, Jr., Greg Kurstin, Max Martin & Shellback, songwriters Randy Merrill, mastering engineer Tyler Johnson & Kid Harpoon, producers Jeremy Hatcher & Spike Stent, engineers/mixers Randy Merrill, mastering engineerĪward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s).īenny Andersson, producer Benny Andersson & Bernard Löhr, engineers/mixers Benny Andersson & Björn Ulvaeus, songwriters Björn Engelmann, mastering engineer Ricky Reed & Blake Slatkin, producers Patrick Kehrier, Bill Malina & Manny Marroquin, engineers/mixers Emerson Mancini, mastering engineer ![]() Steve Lacy, producer Neal Pogue & Karl Wingate, engineers/mixers Mike Bozzi, mastering engineerīeach Noise, producer Beach Noise, Rob Bisel, Ray Charles Brown Jr., James Hunt, Johnny Kosich, Matt Schaeffer & Johnathan Turner, engineers/mixers Emerson Mancini, mastering engineer Greg Kurstin, producer Julian Burg, Tom Elmhirst & Greg Kurstin, engineers/mixers Randy Merrill, mastering engineerīeyoncé, Terius "The-Dream" Gesteelde-Diamant, Jens Christian Isaksen & Christopher "Tricky" Stewart, producers Brandon Harding, Chris McLaughlin & Stuart White, engineers/mixers Colin Leonard, mastering engineerĭ’Mile & H.E.R., producers Bryce Bordone, Serban Ghenea & Pat Kelly, engineers/mixersĭave Cobb & Shooter Jennings, producers Brandon Bell, Tom Elmhirst & Michael Harris, engineers/mixers Pete Lyman, mastering engineerĬrate Classics, Linden Jay, Aynzli Jones & Yeti Beats, producers Jesse Ray Ernster & Rian Lewis, Tyler Sheppard & Kalani Thompson, engineers/mixers Mike Bozzi, mastering engineer Looking for more GRAMMYs news? Three New Categories Added For The 2024 GRAMMYs: Best African Music Performance, Best Alternative Jazz Album & Best Pop Dance Recording General FieldĪward to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.īenny Andersson, producer Benny Andersson & Bernard Löhr, engineers/mixers Björn Engelmann, mastering engineer Head to all year long to watch all the GRAMMY performances, acceptance speeches, the GRAMMY Live From The Red Carpet livestream special, the full Premiere Ceremony livestream, and even more exclusive, never-before-seen content from the 2023 GRAMMYs. If you are the copyright holder and would like them removed or credited, please get in touch.Full of groundbreaking performances and history-making GRAMMY wins, the 2023 GRAMMYs, officially known as the 65th GRAMMY Awards, was one of the biggest nights in music history - ever.īelow is the complete list of the winners and nominees for the 2023 GRAMMYs. Images and photographs can be from different ranges of sources such as Pinterest, Tumblr etc. Look back at the 1985 music video for “A View To A Kill” by Duran Duran “A View To A Kill” was performed at Live Aid in Philadelphia on the same day they peaked to No.1, their final performance together before their first split. In 1986, both Barry and Duran Duran were nominated for the Golden Globe Award for Best Original Song. The composition proccess was made in a way that Duran Duran could be in charge of the actual songwriting and Barry creating the final arrangement including the orchestra part. It remains the only James Bond theme song to have reached number 1 on the Hot 100, which makes it a milestone in Pop music. Written in collaboration with Bond composer John Barry, the song became one of the band’s biggest hits worldwide and it peaked to No.1 on the U.S Hot 100 on July 13, 1985. Released on, the James Bond movie theme “A View To A Kill” (titled the same as the movie) was Duran Duran’s 13th single. “A View To A Kill” remains the only James Bond theme song to have reached number 1 on the Hot 100 In 1985, Duran Duran peak to No.1 with their James Bond theme “A View To A Kill” ![]()
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